Strings & tension

Jack Draper’s natural-gut experiment challenges the “serious players use poly” rule

A player with Draper’s serve has reasons to value polyester. His willingness to reconsider it is a useful challenge to anyone who has made a string material part of their tennis identity.

Jack Draper holding his racquet in a two-handed backhand position in Monte Carlo in 2023
Jack Draper in Monte Carlo, April 2023. This archive photograph predates the reported 2026 equipment experiment and does not identify the strings he is currently testing.si.robi · CC BY-SA 2.0 · WebP

There is a familiar hierarchy in competitive club tennis: beginners use something forgiving, serious hitters graduate to polyester, and staying with poly becomes proof that they belong in the second group. Jack Draper’s reported equipment rethink makes that hierarchy look less useful. A string choice is supposed to serve the player. It does not have to certify the player’s level.

On 15 September 2026, BBC Sport reported that Draper would not play again that season while dealing with bone bruising in his serving arm. Its account also described several changes under consideration: experimenting with natural gut after using polyester, moving to a lighter racquet and modifying his serve. The natural-gut trial was described as going against his instincts. That is a revealing detail for players who feel that changing material means abandoning the game they have built.

It is also a report about an experiment, not a completed success story. The article did not identify an exact string model, gauge, tension or main-and-cross combination. It did not establish that polyester caused the injury or that natural gut would resolve it. Those missing details matter. A photograph, a familiar racquet paint job and a few lines of reporting cannot supply an unseen stringing sheet.

The number on the stringing ticket answers only one question

If Draper’s change prompts you to ask what tension he uses, first consider what that answer would actually tell you. Reference tension is the machine setting requested during installation. It is not a complete description of how the finished stringbed responds when a fast-moving ball hits it, nor of how that response changes after several sessions.

Tennis Warehouse University distinguishes dynamic stiffness—the resistance measured during a rapid impact—from the stretch you see when a string is pulled slowly. Its explanation also separates a single string’s properties from the behaviour of the interwoven stringbed. Material, construction, gauge, string lengths, pattern and tension all contribute. Two strings installed at the same reference tension therefore need not produce the same response.

That is why changing material while keeping your familiar tension does not preserve a familiar setup. It preserves one installation variable. The ball may leave at a different height, your usual rally swing may send it deeper, and a blocked return may require a different judgement. These are things to observe, rather than a reason to declare immediately that the new material offers either wonderful power or uncontrollable power.

There is another complication: players adapt. A less lively response can encourage a harder swing; an easier depth may let someone swing more freely instead of forcing the ball. The resulting shot belongs to the combination of player and equipment. Calling a string “powerful” without noticing what you changed in your swing leaves half the explanation missing.

A softer response does not settle the spin question

The attraction of reconsidering stiffness is easy to understand. TWU’s impact explanation links a more compliant string response with greater deflection and a different force profile. But choosing a material name is not the same as measuring a particular finished setup. Nor is a laboratory force measurement a clinical finding about Draper’s arm—or yours.

An experienced polyester user is also likely to care about the trajectory available on a committed swing. That involves more than softness. In TWU’s work on used strings, movement between mains and crosses, and their ability to slide and return, help explain changes in spin and launch behaviour. Friction at those intersections can change with use. A stringbed can lose tension while simultaneously becoming less willing to let its mains move freely.

This complicates the usual argument between “comfortable” and “controlled”. A response that initially feels easy on a short rally may behave differently on a full return swing. Conversely, familiar resistance may simply encourage you to keep supplying more effort. Compare the shots you actually need: a heavy crosscourt forehand, a stretched defensive reply, a blocked first-serve return and a second serve you trust. One pleasant hit cannot stand in for all four.

A racquet being restrung on a stringing machine
A stringing-machine photograph from January 2025. Recording the material, gauge, main-and-cross arrangement and reference tension makes a trial interpretable. This is not Draper’s racquet or stringing team.Valenzuela400 · CC BY-SA 4.0 · WebP

The comparison most likely to fool you

Imagine taking a well-used polyester setup out of your bag, then trying a freshly strung natural-gut setup. The second racquet feels more responsive. You conclude that you have discovered the difference between the materials. You may have discovered part of it, but you have also compared two different stages of string life—and perhaps two racquets that differ in other ways.

TWU’s repeated-impact experiments are useful here because they measured several changes together. Tension, stiffness and friction did not all move in a way that could be reduced to a single “dead” feeling. The researchers described mechanisms that could contribute both to a mushy, less predictable response and to a harsher, less responsive one. Those laboratory conditions do not set a universal replacement interval, but they explain why “it has not broken” is an incomplete condition report.

A fairer practical comparison starts with a clear question. Are you seeking easier depth on a normal swing, a more predictable trajectory late in a session, or a response you prefer on serve and return? Keep the racquet and other installation details as consistent as practical, and record the age and playing time of both setups. If you are already experiencing pain, do not turn an equipment comparison into repeated exposure to a painful stroke; the playing decision belongs with appropriate clinical advice.

Give the stringer a usable comparison, not a professional’s name
RecordWhy it changes the interpretation
String model, gauge and main/cross arrangement“Natural gut” or “poly” does not specify the whole stringbed.
Reference tension and installation dateThe requested setting and the stringbed’s later condition are different information.
Playing time, balls and conditionsA new ball or a different session can masquerade as an equipment change.
Specific shot response“My neutral forehand went deeper” is more useful than “it felt better”.

Useful life belongs in the price discussion

Price per stringing is only the first line of the decision. The more relevant personal question is what the setup costs over the period in which it performs acceptably for you. That period may end before breakage. Someone who breaks strings quickly has a different calculation from someone whose stringbed remains intact while its response becomes increasingly difficult to predict.

Do not assign the winner from material labels alone. Ask for the actual installed prices of the candidate setups, then keep a simple record of usable playing time, visible wear and the point at which you would choose to restring. A hybrid introduces another decision: which material occupies the mains and which the crosses. Draper’s report does not disclose that arrangement, so it cannot settle yours.

A tension reading can add a useful trend to that record when obtained consistently on the same setup. It cannot, by itself, reveal friction at every string intersection, establish a universal comfort score or diagnose an arm problem. Compare like with like, and pair the number with an observation about a repeatable shot. A declining reading and a changing trajectory are related clues, not interchangeable descriptions.

The professional example worth borrowing

Draper’s team was considering strings, racquet weight, serving mechanics and the wider circumstances of his return. Changing several things together may be entirely sensible when a player’s priority is recovery. It also makes it impossible for an outside observer to isolate which change eventually matters most. A future improvement would not automatically become proof that one material had fixed the problem.

For a healthy club player deciding what to string next, the valuable part of this story is permission to reopen a decision. Describe the response your game needs, identify the limitation of your current setup and make the comparison specific enough to learn from. You can value spin and control without promising lifelong loyalty to polyester. The most serious equipment choice is the one you can explain in terms of your own tennis.

Sources and further reading

  1. BBC Sport — Jack Draper decides not to play again this season
  2. Tennis Warehouse University / Crawford Lindsey — String Stiffness: The Alpha and Omega of String Performance
  3. Tennis Warehouse University — How Tennis Strings “Go Dead” — Part 1

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